Briefly about Tsuki ga Michibiku Isekai Douchuu Manga.
The hero is summoned, as if by order, to another world. He is rejected by the goddess, receives a series of debuffs, and receives a bunch of blessings from the other gods. In the first 5 chapters, the hero gets a mobile home, a number of followers, and two pretty girls for the team. And so begins a ride through fields and lands in search of adventures for his ass.
I think I know a dozen or three manga that starts out the same way. The one thing they have in common is that by chapter 10, they all completely forget what the title of the manga has to do with what’s happening on the screen. They all have the same flags to raise. Like registering with the adventurer guild, learning currency, and getting into some academy… I wonder if the 4 great demon generals will be here too… Still, there are a few points that the author of this piece got right:
The author does not stop only at the adventures of the main character. At the same time, it shows events happening to other characters. This makes it clear that the world is not empty and something is going on there. For some reason other authors consider it beneath their dignity to show this before chapter 70. But in the world there is someone other than those whom the hero sees at the current moment in time. By the way, the author describes the essence of the world conflict, and what the Hero can have to do with it.
Thanks to the author for introducing a limited number of supporting characters. And he does not forget to occasionally shine them on the screen. From each race that has joined the collective of the hero’s portable town, the author has highlighted a few personalities. With them the hero comes in contact every time he returns home. There is no sense that someone showed up for a couple of chapters and then got mauled by wolves in the woods. The author reminds you of the key characters of each tribe. And of course, the hero’s two female companions aren’t just pluses to the harem. They are elaborated as full-fledged heroines and participate in all of the hero’s adventures.
With all the adventures of the hero, his misadventures, and discoveries, the author dopes humor. Most of the humor is based on the inadequate reaction of the hero and his companions to some events. The arguments between the characters are quite similar to the standard Japanese comedy duos. There is no vulgar and dirty humor, for which thanks, if Mio had acted like Albedo it would have been too much.
